Hi all!

I hope that you all are enjoying spring 2012. For me this spring is shaping up quite nicely. I have been writing my book funded by Regional Art and Culture Council (RACC) Project Grant to Individuals, preparing for a show in Korea of a video collaboration. While preparing for all of that I have been painting quite a bit! Oh baby yeah!

I would like to let you all know about my recent inspirations, and a small show that I will be in this May.

The show opens at the Village Gallery of Art May 1st and runs through the 29th. The artist reception is Saturday May 5th 10:00 am to 4:00pm. The gallery is located at 12505 NW Cornell Rd #14 Portland OR  97229.

Portland is aphotic and rainy throughout September to late March. The dribbling rain in the afternoon’s and evenings during fall/winner

Acrylic on canvas
6′x6′

makes the vitamin D and bits of sunshine brought by our springs highly welcomed. Most Portlandians seem to complain their way through winter with the remark” another grey day. However, I find th

e sky to be alive with drama with variations of texture, blues, purples and

yellowed grays. Portland based Gamblin Paint Company seems to agree with me in that they created a series of colors named for our Portland grey skies.

Similar to my watercolor work of 2010 this year I have made 4 works as an ode to spring, but this time for the Village Gallery of Arts Art challenge 2012. Over the course of the past six month, I have been watching a shameful amount of YouTube tutorials on makeup and have now found myself inspired by the in style color combinations of spring 2012.

To name a few colors I have had “on the brain”: coral-ish red, dusty brown-ish greens, white-ish –neon-pink and oranges/peaches galore. Another source of my inspirations of late has been my time sitting in my beloved window nook. My window overlooks the train yard and two parks. The Northwest United States is awfully green year-round, so much so that it takes the “green deprivation” of our winter light for me to see the nuances of our landscape. One could say that emerging from our winter weather gives me a kind of color perspective.

Acrylic on canvas
6′x6′

Through the Oregon Women’s Caucus for Art (OWCA) I learned of the non-profit Village Gallery of Art’s 3rd Annual Art Challenge 2012. Normally, I am not attracted to such opportunities, especially because with this one there was an entry fee of $30. The nearest show or project that I have participated in would be Rainbow Ross’s postcard projects. However Ms. Ross never charges a fee, which is a practice I detest. I’ve chosen to participate, because some of my OWCA sisters do invest their time in the gallery and I want to support their work, for the 25% commission (and entry fee) go to the gallery to pay for operations. The additional benefit of the Art Challenge is that there are 99 other artists in the Art Challenge show. This group show is a great opportunity for inspiration and networking. Simply the art challenge and Ms. Ross’s projects both have this in common they are both opportunities to show what an artist does in s limited format and amount of time to a wide audience. These opportunities are a total non-financial gain activities, but are on the other hand are really good “strut your stuff opportunity”. Unfortunately if you want to be in the art challenge this year the time for entry has elapsed. Due to the great success of the project the Village Gallery plans on doing it again next year. If you would like to have a “strut your stuff opportunity” I recommend a visit Ms. Ross’s blog and to the FB event to learn about the rules for her newest postcard project Blue that has a postmark deadline of the 31st of this May.

Acrylic on canvas
6′x6′

In a nutshell the rules are to create 4 themes and related by medium works using the intact substrate given to each artist and to price the finished work between $20-$50.

Pretty simple right… No not completely. Size matters.  The canvases are quite small. The substrate is a 6-inch square, which means that put together they still would be the smallest acrylic painting on canvas that I have painted to date. If you look carefully at my work you will note that it is rather physically made. This is most apparent in my large abstract piece. I had considered for the art challenge of working in oil paints, as I tend to be less heavy-handed and therefore less messy. As I work in my home mess is a limitation. I end choosing acrylic to work with as it can in my opinion be cleaned off of furniture, rugs and walls with persistence. So before starting my work on these baby sized canvas I wrote my self two rules to follow: 1. Use colors inspired by spring fashion 2012 and the changing landscape 2. Find ways of working that would create to same effect present in my larger paintings.

Acrylic on canvas
6′x6′

I apologize for the poor scans of the work in this post. I will have reproductions made into packs of greeting cards by June. They will sell for 8 for $8 and 12 for $10. Pre-ordering is appreciated by email. If you are interested in purchasing postcards please send your order to CatherineJHM@gmail.com. Each of the painting in this post are for sale during May at Village Gallery of Arts for $35 each.

Thank you for visiting my blog!

Sincerely,

Catherine J. H. Miller

Spring 2012 #1

Copyright Catherine J. H. Miller 2012

I cannot help my enthusiasm for my newest project. For the last 40 days and nights I have found myself compulsively checking to see, rather or not, if another lover of the arts has stepped up to pledge support for my truly inclusive project about the arts and disability. I feel as if I am a hen waiting for an egg to hatch! The agony of it at times is extreme. This is for good reason of course, for if I do not reach my goal in the next 50 days all is lost. But that said, I am meeting new people online and getting the word out there about my work. All of which i am happy about.  Please learn more about what you will get if you support my work and what you will be apart of. Go to http://www.kickstarter.com/projects/495948280/a-somewhat-secret-place-disability-and-art and learn more.

I am still having fun trying new media and indulging in color. Here is a photo of the latest work.

FOR IMMEDIATE RELEASE

Supper with A Somewhat Secret Place: Disability and Art

at Portland Stock Dinner

Portland, Oregon December 18th 2011

—————————————————–

Soups On!!!!

And we need you to eat it!!!

Just $10 and your vote is what we need the night of January 23rd/at PNCA

We have been accepted to be in the Portland Stock Dinner this coming Sunday Please join us there.

What is Portland Stock Dinner?

About Stock

“Stock is a monthly public dinner event and presentation series which democratically funds Portland-area artist projects. Diners pay $10 for a homemade meal and the chance to vote for which artist proposal will receive the evening’s proceeds. The dinner’s profits immediately become an artist grant, awarded according to the vote of the diners. Winning artists present their completed work at the next Stock dinner{…]” Read more :) and RSVP.

What is  A Somewhat Secret Place: Disability and Art asking form a Stock grant?

A Somewhat Secret Place: Disability and Art desperately needs money for advertising and mailing costs for the promotion of the exhibitionism in July. We hope to receive enough votes to get the first Stock Grant of 2011.

Please remember that the grant amount is dependent on the level of attendance, so this is why we need all who know and love this project to attend.

Please mark you calendar and RSVP today

RSVP by email: portlandstock@gmail.com

Date: January 23rd 2011

Time: 6-9pm

Place: PNCA

1241 Northwest Johnson Street
Portland, OR 97209-3023
(503) 226-4391

Thank you for all your support and time,
–  Catherine J. H. Miller
A Somewhat Secret Place: Disability and Art
Artistic/Project Director and Fine Arts Curator
971.219.8302
asomewhatsecretinfo@gmail.com

Come dine and enjoy a concert in the pitch dark with your friends.

The Portland Blind Cafe,  a mind bending/heart opening experience where the audience will dine and enjoy a concert in the pitch dark! All the waiters will be blind. There will be a delicious gluten-free vegetarian/vegan meal prepared by our Star Chef Ivy Entrekin to delight your senses.  Your heart and mind will be opened as you discuss issues related to visual impairment, celebrate and explore spacial awareness, indulge in unencumbered music listening (without distraction of visual conditioning, cell phones etc.), build community, make new friends and advocate for a better life for the blind and visually impaired community…all with your waiters and fellow patronage in the dark.

Experience Art with out Light by Portland’s own Catherine Miller and the spoken word poetry of Rick Hammond with an outstanding concert by ‘Rosh & One Eye Glass Broken’.  A percentage of the proceeds from this event will be donated to support PAWS Pups At Work for Sight, a local organization that raises puppies to work with the visually impaired and blind in Portland OR.

When: August 26th, 27th, 28th 2010
Time: 7PM Seating/7:30PM Doors Close – NO LATE SEATING
Where: Tabor Space / Mt Tabor Presbyterian Church 5441 SE Belmont
Website: http://www.portlandblindcafe.com
Tickets: http://www.brownpapertickets.com/event/116347
or Call: 1-800-838-3006

Sold Out!!!

Email to get on Waiting List for the next one!

Send you name, address, email and phone number to the following email:

Contact: Rosh 720 495 7797 / Rosh1826@gmail.com

Watch: http://www.youtube.com/watch?v=xLn_d5vGIsc

Listen: http://www.myspace.com/oneeyeglassbroken

This piece I drew on a somewhat rainy and somewhat sunny day. The green mossy sidewalks and the sounds of rain in my courtyard inspired me.

As most drawings are for me experimental this one is no different. I had just found Frisket masking medium in the art store. It has allowed me to make more illusionary textures and preserve my white better I feel that it is allowing draw to become painterlier since I can mask a form out and pull a wash through it with out disturbing the form. In painting there is a lot of back and forth over under and around strokes and other makes. In watercolor there is not such attention to working edges nor does it in most cases allow painting behind forms. This has been very challenging to me. I have been working mainly in watercolor for the past two years but this is the first time I have found something that makes the medium feel less drawing like.

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